Friday, April 01, 2005

Stupid laws blocks self-publishing work.

Clay Shirky tells Boing Boing:Stupid (c) laws block me from publishing own work online.
Welcome to the Copyfight. So, at Etech this year, I gave a talk entitled Ontology is Overrated. I want to put a transcript up online, and Mary Hodder, who recorded the talk, graciously agreed to give me a copy of the video.

When she came by NYC last week, she dropped off a DVD, which I then wanted to convert to AVI (the format used by my transcription service.) I installed ffmpeg and tried to convert the material, at which point I got an error message which read "To comply with copyright laws, DVD device input is not allowed." Except, of course, there are no copyright laws at issue here, since I'M THE COPYRIGHT HOLDER.

Got that? I am in possession of a video, of me, shot by a friend, copied to a piece of physical media given to me as a gift. In the video, I am speaking words written by me, and for which I am the clear holder of the copyright. I am working with said video on a machine I own. Every modern legal judgment concerning copyright, from the Berne Convention to the Betamax case, is on my side. AND I CAN'T MAKE A COPY DIRECTLY FROM THE DEVICE. This is because copyright laws do not exist to defend the moral rights of copyright holders -- they exist to help enforce artificial scarcity.

Copyright holders in my position, who want to use Creative Commons licensing to share material, are treated as pathological cases, because we're not behaving in the extortionate manner that current regulations are designed to protect.

I've gotten the copy another way, and the transcript will go up, but this is the state of the world, circa 2005: I can be prevented from copying my own words from my own devices, precisely because I want to share them freely, a use the law is perfectly prepared to regard as irrelevant.
This is just yet another case of technological measures being used to ensure adherance to copyright law. Because it is possible to infringe copyright using such technology the manufacturers have created measures that prevent it but also prevent entirely legal acts also.

Furthermore if today's newly created artistic works are all in a digital format that is designed to prevent infringements they will still remain as such when entering the public domain and the copyright law that is being technologically upheld no longer applies to those digital works. It will probably be illegal to actually disable the DRM to extract the now public domain works due to the DMCA or similar laws in other countries.

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